I was approached by Tony Hipwell of Grunt Productions to provide the score for his new comedy-action short The Supply Teacher, and jumped at the chance to work with him.

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This project represented a number of firsts – my first time working with York’s Off The Rock Productions and my first stage acting role.

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Film acting is something I’ve long been wanting to try, and thanks to Jamie McKeller from RedShirt Films, I had the opportunity.

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I‘ve long admired actors. Working ‘behind the scenes’ in the theatre and watching how they turn some pages of dialogue into almost-real people is magical to me.

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Once again I was fortunate enough to be invited to work with Hedgepig Theatre. This time, on their adaptation of The Maids by Jean Genet, a twisted tale of two murderous sisters.

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RedShirt films specialise in crazy, geek-culture romps filled with huge explosions and larger-than-life characters. For the finale of their series ‘Nights at the Round Table’, they came to me for a score to match.

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After I’d worked with RedShirt films on Retro Fury, and had such a fun time doing so, I jumped at the chance to score their new sci-fi comedy series.

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Because the last one was a success (11 5-star Amazon reviews at the time of writing, cough), I decided to undertake NaNoWriMo again this year.

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Yes, as I previously said, I have managed that which so many dream of – I have written a full-length novel called “It Looks Like You’re Writing a Letter”.

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I first approached RedShirt Film’s Jamie McKeller because I heard he was doing an 80s inspired action short and I knew I had a few pieces of music in my archive that he might be interested in. He was very positive and asked me to score the film, and I was delighted as I am a huge fan of RedShirt’s work.

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